This plug-in allows Audacity 1.2.4 and higher to support VST plug-ins.
- vst-bridge-1.1.exe
- audacityteam.org
- Freeware (Free)
- 337 Kb
- Win All
The MorphVOX Effects Rack is a plug-in for MorphVOX Pro that provides a way for you to use VST effects modules with MorphVOX Pro.Now you have the power to modify and tweak a voice with the thousands of free and professional VST modules available on the market. The MorphVOX Effects Rack also provides you with a highly-configurable workspace for arranging VST effects and integrating them into MorphVOX Pro.
- PluginMorphVOXEffectsRack_Install-1.exe
- Screaming Bee
- Shareware ($19.95)
- 1.14 Mb
- WinXP, Win2000, Win Vista, Windows 7
This software offers built in support for VSTplug-ins originally intended for use on the Windows operating system. That means you can now load and play nearly every Windows VSTplug-in directly in Mac OS X and route the audio signals to your. ...
- VFX_Application_Installer.zip
- SM Pro Audio
- Freeware (Free)
- 62 Mb
- Mac OS X 10.5 or later
VST Player loads vst plugins, and play midi file. You need VST plug-ins to play midi files with VST Player..
- VST Player
- Tetsuji Katsuda
- Freeware (Free)
- 518 Kb
- Windows XP, 2000, 98
Midi files can be played with animal voice. You need to have a VST Host program to use VSTplug-in. If you do not have one, you can down load from here. A sample midi file is included. Play it with VST. ...
- VST Animal
- Tetsuji Katsuda
- Freeware (Free)
- 4.66 Mb
- Windows XP, 2000, 98
Master Hammond B3 is a Virtual Hammond VST plug-in with a rich and authentic sound based on the legendary B3. MASTER HAMMOND B3 is a Virtual Hammond VST plug-in with a rich and authentic sound based on the legendary B3. The result is a warm and powerful sound over the entire range of the keyboard.
- Master Hammond B3 VSTi
- Syntheway
- Shareware ($35.00)
- 4.13 Mb
- Windows 2000
Beeper is an auxiliary audio processing AU and VST plugin which you can use to insert short beep, noise burst or silence signals to any sound material. This plug-in may help you protect your work from stealing. It is safe to apply this plug-in to any. ...
- VoxengoBeeper_24_Win64VST_setup.zip
- Voxengo
- Freeware (Free)
- 4.8 Mb
- WinXP, Windows Vista, Windows 7 x64
Beeper is an auxiliary audio processing AU and VST plugin which you can use to insert short beep, noise burst or silence signals to any sound material. This plug-in may help you protect your work from stealing. It is safe to apply this plug-in to any. ...
- VoxengoBeeper_24_MacVST_setup.dmg
- Voxengo
- Freeware (Free)
- 10.5 Mb
- Mac OS X
Blue Cat's Remote Control is a set of plug-ins which let you control and monitor in real time several MIDI controllable plug-ins or devices from a single customizable user interface: the User Interface of your favorite DirectX or VST plugin does not. ...
- BlueCatRemoteControlAUDemo.dmg
- Blue Cat Audio
- Shareware ($47.40)
- 5.4 Mb
- Mac OS X
Blue Cat's Remote Control is a set of plug-ins which let you control and monitor in real time several MIDI controllable plug-ins or devices from a single customizable user interface: the User Interface of your favorite DirectX or VST plugin does not. ...
- BlueCatRemoteControlDXDemo-x64Setup.exe
- Blue Cat Audio
- Shareware ($47.40)
- 5.4 Mb
- WinXP, Windows Vista, Windows 7 x64
Audio Delay is an auxiliary plug-in which allows you to delay stereo audio for a specified amount of milliseconds. Delay can be separately specified for each channel. Plug-in also features output level gain parameter for each. ...
- VoxengoAudioDelay_13_WinVST_setup.zip
- Voxengo
- Freeware (Free)
- 1013 Kb
- Windows XP, 2000, 98, Me, NT
PSP Xenon is a full band, dual-stage limiter plug-in (AudioUnit, VST and RTAS for MacOSX UniversalBinary; VST and RTAS for PC) PSP Xenon is a full band, dual-stage limiter plug-in (AudioUnit, VST and RTAS for MacOSX UniversalBinary; VST and RTAS for PC) featuring an integrated Leveller, advanced K-System metering and psychoacoustically optimized wordlength reduction. PSP Xenon offers 64-bit precision processing throughout its entire signal path, and can operate at sample rates up to 192kHz.
- PSP_Xenon_1.3.0_32bit.exe
- PSP Audioware
- Shareware ($)
- 2.62 Mb
- WinXP, Win Vista, Windows 7,Windows Vista, Windows 7 x64
Download antares autotune VST plugin for free. Multimedia tools downloads - Antares Autotune VST by Antares Audio Technologies and many more programs are available for instant and free download. Apr 27, 2010 Generally in terms of quality you get what you pay for.All. VST and DX 'autotune type plugins' are for Vegas. Include Celemony Autodyne in your search.
Related:Autotune Vst Plug - Wavepad Vst Autotune - Autotune Engine Vst - Antares Autotune Evo Vst - Vst Plugins Antares AutotuneWe have searched all around the interweb, and tested for you: 5 FREE autotune VST plugins, to use in real time in any sequencer or DAW. We tend to prefer vocoder over the pitch corrector/autotune effect, but anyway, here’s the TOP 5: 1. KeroVee VST by g200kg.
Prior to the digital age, life in the studio was all about moderating the effects of human touch.
Compressors evened out the dynamics of the bass player while a side chain feed kept them matched with the drummer. The drummer had a metronome feed playing to maintain tempo.
Singers, well, you could keep their dynamics in control, but when they sang flat, about all you could do was tell them to smile as they sang and aim above the problem notes.
Smiling has the mysterious effect of raising singers' pitch. Aiming high is probably wishful thinking on everyone's part, but sometimes it works.
The Advent of Auto-Tune
You wouldn't think earthquakes have a lot to do with singing in pitch and they don't, really.
However, it was seismi c research that provided the background for Dr. Andy Hildebrand, the creator of Auto-Tune and its parent company Antares.
He left that field and returned to his early love of music, bringing knowledge that created seismic interpretation workstations and applied it to issues arising in the early days of digital music.
Hildebrand's expertise with digital signal processing led to a series of audio plug-ins, including 1997's Auto-Tune, which could correct the pitch of a voice or any single-note instrument with surprisingly natural results.
Audio engineers now had a weapon against the occasional bum note. Rather than scrapping an entire take, Auto-Tune offered a repair tool that quickly caught on.
Auto-Tune as an Effect
It was only a year later in 1998 that use of Auto-Tune as an effect rather than repair tool happened.
Called the 'Cher Effect' after the singer's hit, 'Believe,' artificial and abrupt pitch changes came into vogue. Later, real-time pitch correction hardware brought both effects and repairs to the stage.
In the studio, Auto-Tune proved another weapon to 'fix it in the mix.'
Issues with Auto-Tune started soon after, with lines drawn between the purist and users camps. Many felt that using pitch correction was an artistic cheat, a way to bypass craft.
The arguments resemble the resistance synthesizers received in the 1970s and 80s that led Queen to note that none were used on their albums.
The other side of the argument pointed out that tools such as compressors and limiters and effects such as audio exciters had already been modifying the sound and behavior of voices throughout the history of recording. Though the anti-Auto-Tune camp seems vocal and large, rarely does a session go by without some use of pitch correction. It's nearly impossible to detect when used judiciously, nowhere near as obvious as when used for effect.
Auto-Tune is no longer the only player in the pitch correction game either. Celemony's Melodyne software substantially improves on Auto-Tune's interface and brought the full power of pitch correction to a plug-in ahead of the tool's originator, which still leads the pack when it comes to response and set-and-forget capability.
'Generic' Auto-Tune
Hardtune Auto Tune Plug In Download
The Antares version of the effect has achieved 'Kleenex' status. Its brand name is now synonymous with the generic effect it originated. It joins 'Pro Tools' from the audio world and 'Photoshop' from digital imaging in this manner.
Unlike some digital music signal processors, pitch correction hasn't generated a huge number of knock-offs. Melodyne is a serious contender, due to its far more intuitive interface. GSnap is an open source alternative that produces similar results. While iZotope's VocalSynth includes pitch correction features, it's more of a full vocal processor rather than a dedicated pitch correction app.
The 4 Best Auto-Tune VST Plugins
Now, lets get into the top 4 autotune plugins. Each one offers unique features and I assure you that one of these plugins have exactly what you are looking for
Antares Auto-Tune Vocal Studio
The originator is now a full-featured and functional vocal processor that still masters the innovative pitch correction duties it brought to the market, but adds a wide range of additional features and effects to help nail down the perfect vocal take.
Auto-Tune 7 forms the core of the Vocal Studio package, still tackling the pitch and time correction duties it always has. Since its earliest days, automatic and graphical modes handle the various chores for the main Auto-Tune module.
While still presenting a learning curve for the new user, the Auto-Tune 7 interface remains familiar enough for experienced users. Since it's the best-selling pitch correction software going -- and by a huge margin -- there are a lot of existing Auto-Tune users. Even if you're new to the plug-in, chances are you know someone who's used it.
The rest of the Vocal Studio package focuses on vocal manipulations such as automatic doubling, harmony generation, tube amp warmth and vocal timbre adjustment. The range and nature of these adjustments takes vocal processing into some new territory.
The MUTATOR Voice Designer lets you manipulate voices from subtle to extreme, permitting organic or alien manipulations but with results that still sound like voices, though perhaps not of this world. The ARTICULATOR Talk Box produces effects such as the guitar talk box of Peter Frampton and Joe Walsh, but also Alan Parsons-ish vocoder sounds, combining the features of sung or spoken voice with an instrument's output.
While the Auto-Tune Vocal Studio remains pricey, it remains at the top of a niche market of audio processing.
Melodyne 4 Studio
If Auto-Tune has a serious competitor in the pitch correction universe, it's Celemony's Melodyne. The interface, layout and operation of Melodyne is inherently more musical than the Antares take, so newcomers to pitch correction will likely find Melodyne easier to work with.
The Melodyne 'blob' is an easy to grasp analog of a sung note. It's far more intuitive than a waveform to understand. With the focus on graphical interface, Melodyne makes sense more quickly and easily than Auto-Tune. The latter's switching between automatic and graphical modes creates a comparative disconnect between functions.
Even long-time users of Auto-Tune will find moving to Melodyne natural, as there's enough in common that, once a user gets their bearings, familiar functions remain available.
Many Melodyne functions perform on polyphony too. Correcting a track with a multi-voice choir or chording instrument can work too. It's not a perfect function, but it's uncanny how often Melodyne senses chords clearly enough to allow changing of a single element.
What Melodyne doesn't do is the advanced vocal pyrotechnics offered by Auto-Tune. The Celemony product is all about pitch and time correction and it accomplished these with grace and ease.
Those looking for an affordable entry into digital pitch correction can turn to Melodyne 4 Essential. It's a plug-in that handles the pitch and time corrections of its big brother, but with fewer advanced features and without the full-featured price tag.
iZotope VocalSynth
Though pitch correction isn't the focus of this iZotope plug-in, it resembles the full Auto-Tune Studio package. At a fraction of the cost of the big boys in this class, VocalSynth doesn't offer the depth of control experienced with either Auto-Tune or Melodyne, yet it still manages to provide a reasonable job of pitch correction.
Hardtune Auto Tune Plug Ins
There's no graphical representation such as Melodyne's or Auto-Tune's graphical mode. That makes fine-tuning performances a little beyond the reach of VocalSynth, but for reasonable performances, it's not a major limitation. Think of the iZotope product as a first-aid kit rather than an emergency department.
The four voice synthesis modules are where the fun resides with VocalSynth. Talkbox, Compuvox, Polyvox and Vocoder modules emulate many of the vocal effects you've heard on hits from a wide range of artists. This is also just the most overt extra in the VocalSynth package.
A variety of additional modules let you tune up or tear up your vocal tracks. Add harmony, filter vocals, create radio and phone effects. These modules can either optimize your track or take it to new and exciting places.
VocalSynth may be the country cousin to the serious pitch manipulators, but it has capability with a high fun factor.
GVST GSnap
Don't let the download page fool you, GSnap is a VST plug-in that works with any DAW platform that supports VST, not simply Windows-based DAWs. Both 32 and 64-bit support is included. Completely free, it does come with limits. While there is more graphic information than iZotope offers, it doesn't offer direct edits.
While not as flexible as pro pitch correction, it's a low-cost alternative for users who can't swing the big time prices. It's difficult to use GSnap subtly. That's not an issue for those seeking pitch correction effects, such as Cher or T-Pain. Backup vocals are also a good candidate.
This is the entry level of pitch correction, and because of that, it's included here. The effect is so ubiquitous that anyone working in the field needs to know how it works. GSnap represents the place to start.
Wrapping It Up
Love it or hate it, pitch correction is here to stay, both as tool and effect. These four plug-ins aren't the only ones out there, but they represent the spectrum of pitch correction treatment. Auto-Tune is the originator. Melodyne is the refinement. It works just as well as the Antares product in nearly every way with an interface that easy to grasp.
iZotope VocalSynth represents the cream of the mid-priced plug-ins. It's capable and creative, even if it's not as flexible on pitch correction as the top-line apps. GSnap represents pitch correction for everyman. You can't knock the price of freeware.
The debate will likely rage over the ethics of pitch correction in popular music. While you wait for the dust to settle, give one of these packages a try.
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